Meanwhile, he has found the perfect calm and comely model girlfriend to replace his volatile former spouse, a failed soap opera actress who is forced to take a job as a hotel maid. In New York, James Franco basically plays a more disagreeable version of his own persona as Kunis’ disapproving ex-husband, a famous artist whose claim to fame is painting with his hands. He eventually learns her daughter is being held for ransom by human traffickers. Or maybe not. In Rome, Adrien Brody is a disgruntled businessman, involved in the purloining of fashion designs to facilitate sweatshop knockoffs, who meets an alluring Gypsy lady from Romania (Moran Artias, who appeared on the TV series based on "Crash") in a bar. Neeson is ensconced in the City of Lights as he toils over his latest tome, trysts with his comely and much younger paramour Wilde (whose performance highlight involves her giddily racing naked through the hallways of a swank hotel after Neeson cruelly strands her outside his room) and deals with the drowning death of his son while on the phone with his unduly understanding back-at-home wife ( Kim Basinger). This time, instead of making a social statement such as "Crash" did about racial tensions and police corruption in L.A., Haggis zeroes in on tenuous relationships that are beset by coincidences-between spouses between parents and children between strangers between lovers. In every case, a third person tends to intrude and further complicate matters. The blame for that outcome, of course, should have been aimed at the timid academy voters. Still, some have claimed that "Third Person" reflects his response to having to cope with the aftermath of that career peak (which followed his 2004 Oscar win for his " Million Dollar Baby" script) as well as his recent status as a Scientology dropout. By the end, the gimmick overwhelms the telling, causing us to expend too much energy into figuring out the connections between the characters instead of simply being drawn into their predicaments and empathizing with them.ĭirector/screenwriter Paul Haggis was somewhat unfairly vilified almost a decade ago when his similarly multi-storied " Crash" bested the expected Best Picture winner " Brokeback Mountain" at the Oscars. And, it seems, she’s partial to the Peloton bike: Olivia hilariously attempted to ride the bike while dressed as Dolly Parton last year, joking in her Instagram Story that she fell off soon after.Occasionally, sparks do fly thanks to the high-caliber cast, especially the electricity generated by the under-the-gun Pulitzer-winning novelist in the form of Liam Neeson-nicely showing his softer side after too many empty-calorie action thrillers-and Olivia Wilde as a journalist who is his tempestuous protégé and mistress. But also, somewhat surprisingly, there is contentious heat between Maria Bello’s lawyer and Mila Kunis as a luckless client who is enmeshed in an ugly battle over child visitation rights.īut as the plot moves in and out of a trio of tales that unfold in Paris, Rome and New York, this layered melodrama strains for emotional impact with only occasional success while eventually blurring into an overlong and contrived parlor trick. “I make fun of it, but it's amazing, because you have to push yourself through this resistance, which is so therapeutic,” she said. Olivia previously told Women’s Health that she loves to take spin classes. Olivia laces up her sneaks to pound the pavement, too: The Daily Mailspotted her out for a run in London last year. “When you have an option to walk or take a car, walk if it’s an option,” she said. She’s also big into found fitness, which is just incorporating movement into everyday routines. You could often incorporate activity into your life.” “Rather than sitting at home and taking a call and doing a phone meeting, walk around. “There’s often a way to ,” she previously told CNBC. Olivia has been open about trying to work out on the reg. My ‘no assholes’ policy comes from being an actress, seeing so many fucking assholes on set and how it never made us do better work.”Ĭlearly, Olivia is all about that badass female strength, and that extends to her physical strength, too. She also shared this nugget: “I think that the greatest demonstration of power is the ability to listen and to maintain your cool when everything inevitably falls apart, and to make other people feel empowered. “Clearly, I idolize women who survive a system that they feel challenged by.” “A few of the things I have in development are about the raw determination of women,” she shared, referencing her future projects. A post shared by Olivia Wilde Elle interview carried a common theme throughout: strength.
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